April is my favorite month of the year thanks to the Brussels International Fantastic Film Festival BIFFF. This year was the 19th time I attended the festival and I had a blast as usual. Here's a little overview and some photos of my twelve days at the festival.
Wednesday
After a decent opening with Neil Jordan's
Byzantium (not bad, but overly long), the Brussels International Fantastic Film Festival really took off for me on Wednesday with Hideo Nakata's new movie
The Complex (slow and predictable) and Franck Khalfoun's remake of
Maniac (nasty, beautiful, smart, original, stylish).
Thursday
On Thursday I reunited with someone I hadn't seen in a long time. We watched
I Declare War (never really got into this movie about kids playing war games in the woods),
Spiders 3D (looove these giant spider movies from Nu Image even though they're zany in every possible way) and
Found (compelling little curio with a love for vintage video nasties that will stick with you).
Friday
In
A Fantastic Fear Of Everything Simon Pegg excels as a writer who is manically afraid to be murdered. The film was so hilarious I cried, though it could have easily been half an hour shorter.
After the movie I hosted a q&a with director Crispian Mills (also frontman of Kula Shaker) and producer Geraldine Patten. A fun meeting where we talked about Crispian's horrible experiences on set, how Simon Pegg had always been the one to play the lead, and bizarre phobias such as fear of chopsticks, alcohol and cats.
Saturday
The first movie I saw on Saturday was
Here Comes The Devil, a Mexican film in which a couple of kids disappear during a trip and come back possessed by the devil. A fascinating idea, but not as creepy as I hoped it would be.
Afterwards, I had a little chat with the director and main actress of the visually stunning Lituanian film Vanishing Waves and I ended the evening with
A Haunting In Georgia (the follow up of
The Haunting In Connecticut) which wasn't particularly groundbreaking but diverting neverheless.
Sunday
Everyone agreed that
The Host, based on Stephenie Meyer's bestseller, was the worst movie of the Brussels International Fantastic Film Festival. What is this woman's obsession with cheesy love triangles anyway?
The rest of Sunday evening was spent in the company of likeminded filmmakers such as director Conor McMahon (
Stitches), producer Brendan McCarthy (
Stitches,
Wake Wood,
Outcast), producer John McDonnel (
Stitches,
Wake Wood,
Outcast) and director Andy Muschietti (
Mama). I have met a lot of paranoid egocentrics in the movie business lately that made me want to stick with writing novels, but the enthusiasm and professionalism of these guys definitely got me positive again.
Monday
On Monday I took a day off from the festival and went to bed early to watch the evil clown movie
Stitches that I missed the day before. Although it was fun to watch it in bed, it's definitely a festival movie that benefits from the cheering and laughter of the festival audience.
Tuesday
Oblivion premiered on Tuesday at the Brussels International Fantastic Film Festival, a visually stunning film with several interesting story arches, but I wish they would have made it shorter and more original.
Next came
Hellbenders 3D. If you're an actor or filmmaker, then Hellbenders is the perfect example of how NOT to do your job. The Host may be the worst film of the festival, but Hellbenders 3D is a close contestant.
Wednesday
I hosted a q&a with director/screenwriter Alan Brennan for his movie
Earthbound, a charming mix between
K-Pax,
Happy Accidents and
Safety Not Guaranteed.
I ended the evening with
Texas Chainsaw 3D. Lots of fun, but Leatherface as the 'good' guy? Really?
Thursday
On Thursday I watched three movies:
Belenggu (an Indonesian thriller that copies the giant rabbit visions of
Donnie Darko and mixes it with a predictable intrigue),
Forgotten (a German ghost story in which nothing happens) and
The Human Race, that largely follows the same plot as
Battle Royale and
The Hunger Games and never fails to entertain.
Friday
Friday was my turn to be in the spotlights. After Kim Ki-Duk's brilliant new movie
Pieta I presented the official premiere of
Un homme bien (the short film based on my vampire story
A Good Man) for a full cinema. I discovered the movie at the same time as the audience and had no idea what to expect. You have to know that every scene you see in the film was meant to become a full-length feature, but because the production came (temporarily) to a halt director Steven de Roover used the existing images to turn them into a short. Unfortunately, there's no mistaken that Un homme bien was never destined to become a short film. The beginning is slow, it lacks transition scenes, it misses what makes the original screenplay stand out, and the film is overall not representative of my work. I do, however, say 'bravo' to the director's ability to find logic and structure in the random images.
Saturday
The Brussels International Fantastic Film Festival ended on Saturday with lots of champagne and a projection of Chan-Wook Park's first Hollywood movie
Stoker (which was the perfect example of how a brilliant and inventive direction can turn an ordinary story into something special).
To end the festival on a good note, I'm giving away a signed copy of A Good Man to one lucky reader of this blog. To enter to win, leave a comment below telling me which of the above movies you have seen or want to see. You can gain extra entries by sharing this blog on a forum, Pinterest, StumbleUpon, Facebook, Twitter, Google+, Tumblr etc or by following this blog through Bloglovin, Pinterest, Google+, Facebook and/or Twitter. Six possible entries per person. Giveaway is
open worldwide and ends
April 22nd. Good luck!
This giveaway is part of the Signed Books Giveaway Hop hosted by I Am A Reader, Not A Writer and Wholly Books. For the complete list of blogs and giveaways, go to
http://www.iamareader.com/2013/04/childrens-book-week-giveaway-hop-sign-ups-may-13th-to-19th.html